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Avoiding the traps of predictable narrative and manipulative emotionalism
These buildings represent a chaotic impulse brought about by a decaying system
tenderness
South African photographer David Lurie's (born 1951) images in Daylight Ghosts attempt to excavate below our conventional sight level to recover the veins of myth and memory that lie beneath the surface of this achingly beautiful landscape – to explore the region
Williams’s work is guided by their life experience and an interrogation of their own perspective
The True America ceramics Avoiding the traps of predictableFrom the publisher: After fleeing South Africa to publish his landmark book House of Bondage (1967) on the horrors of apartheid, Cole resettled in New York. He photographed extensively on the streets of New York City and documented Black communities in cities and rural areas of the United Statestraveling across the country in the months leading up to and just after the assassination of Martin Luther King Jr. The pictures reflect both a newfound
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