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Nearly twenty years later a Curator at the Berlin Museum recognised them as by Topolski and they were returned to him
an anonymous 1950s beauty with no past
I wanted work with more longevity and gravity and Phil was exactly the right person at the right time to talk to about this move
This show had a huge impact on me as it brought together many of the best young portrait painters working at that time and Brendan was one of them
His ink illustrations seemed to be carved out of stone and there was a tremendous strength and gravity to it all
Moorland VII sold Nearly twenty years later a
